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An English Classic
Language
Selecting the Language: Medieval or Modern?
Director/animator Tim Fernée writes:
'It's worth mentioning that language is particularly important to
this film. We want the audience to listen to the words so we
construct the film something like an opera. Sumptuous visuals
present the language, then recede or hold still, allowing the
audience to relish the words. Also, the script uses longer,
unbroken speech than is usual in animation. So sometimes we cut or
move away from a character in mid-speech to see a reaction to what
he or she is saying. This is unusual in animation.'
There is only one small weakness in 'An English Classic' which
is that little attention is paid to the processes of scriptwriting.
Discussion could follow from such key questions as:
- How does collaborative writing affect/improve the process?
- Are revisions made of the script during the animation or voice
recording stages?
- How were archaic words such as 'trawthe' and 'gentillesse'
interpreted?
- How different or similar is writing a script for an animation
compared to scripts for other modern media?
The scriptwriters decided not to use the alliterative verse
style of the original poem because there are 'unspoken rules' in
screenwriting that stipulate no line should draw attention to
itself, and that if something sounds contrived or artificial, it
should go. Voice-over narration was also disregarded, as the visual
images of the animation suffice in providing an ongoing commentary.
The format selected, therefore, was modern English dialogue.
The Alliterative Form
A key feature of alliterative verse is the repeated use of sounds
and variations of words. The pattern of repetition came about
because such verse has its origins in the oral traditions of
pre-history tribes. The stories would be memorised and spoken
rather than written, and repetition is a good tool for remembering
a poem. Synonyms are regularly used; while interchangeable,
synonyms sometimes have slight differences in meaning or tone and
can therefore develop or complicate a theme. Certain words are used
that have common features – usually alliterative prefixes or
endings. These words are repeatedly used in a line or across a few
lines (creating three stresses in each line). The effect of this
pattern is to emphasise a particular expression or idea.
Listen to the last few minutes of 'An English Classic', where
modern English is used in a poetic form to query if the area might
be the Green Chapel. Are our modern ears more used to plain
dialogue than poetry? Would repetition of key sounds in the
dialogue, as there is in the music track, have enhanced or
detracted from the animation?
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